All posts by Karen Berger

Music Al Fresco: Tips for Performing Music Outdoors

Summer is the time for music al fresco. Block parties, outdoor cafes, busking, festivals, parks, farmer’s markets, campfires… Sometimes it seems all you have to do is think of a place and you’ll find musicians there.

But playing oudoors isn’t all roses and sunshine.

The following tips will help ensure your outdoor performances (or those of your students) shine like the sun.

  • Amplify the vocals: No, you can’t sing loud enough to be heard in open air without amplification. And acoustic guitars only project so far. (Be aware, though, that amplification is not permitted or possible in some venues, in which case you may have to settle for only being heard by those nearest to you.
  • Extention cords! Often outdoor venues are located far from outlets. If you’re using someone else’s sound system, bring extra cables, mikes, and a mult-box for cords.
  • Gimme shelter! The sun can be brutal (and shade from a tree moves throughout an afternoon). Ask about shelter, and consider investing in a portable pop-up tent to protect you and your instruments from sun — and showers. 
  • Electronics and water don’t mix: If you don’t have shelter, have an evacuation plan: a car parked nearby, a shelter you can retreat to, or a completely waterproof tarp big enough to cover everything if it starts to rain. 
  • Bring bug repellent: it’s hard to play when you’re swatting at mosquitoes.
  • But be careful with the repellent, because it can strip the finish off instruments.  Bug-repellent infused clothing can help, as does a wide-brimmed hat. If you put on bug repellent, put it on half and hour or more before the gig, and avoid putting it directly on your hands or parts of your arms that directly touch the instrument.
  • Wear sunscreen (or sunscreen with bug repellent mixed into its formula).
  • For night gigs, if you use sheet music or chord charts, you’ll need a battery powered music light (Available from music stores). 
  • Bring your own music stand, and clips to hold the music in place if it’s windy. 
  • Layered clothing will keep you comfortable if the weather changes suddenly.
  • Bring a towel for wiping off sweat. 
  • Have plenty of water on hand. Musicians Friend (a music supply company) sells bottle holders that can clip to a music stand.

And have fun!

Best Campfire Songs Ever: Part Two, The Silly Songs

Last week, I posted a list of favorite campfire songs of the “folky” kind. Here are some memorable goofy songs. Feel free to add to the list in the comments section:

John Jacob Jingleheimer Schmidt
Henry the Eight
Dem Bones Gonna Rise Again
Going on a Lion Hunt (variation: bear hunt)
Wishy Washy Washerwoman
The Froggie He Am a Queer Bird
Little Bunny Foo Foo
Boom Boom Ain’t it Great to be Crazy
Do Your Ears Hang Low
Head Shoulders Knees and Toes

Got more? Please add them!

Best Campfire Songs Ever

Summer’s coming, and a good number of my students are headed off to camp, where with any luck they will stay up past bed-time, ride horses, catch fireflies, make friendship bracelets, weave lanyards, cook burnt inedible marshmallows, and sing around a campfire. Maybe some of them will return wanting to learn to play guitar. (Music doesn’t have to be a spectator sport, you know.)

When my students tell me they are going to camp, I find myself asking them about what they are looking forward to. If their parents went to camp, we end up reminiscing, and it doesn’t matter what camp they went to, we all know the same songs. It brings back that incomparable feeling that all it takes for things to be right in the world are a couple of guitars and the high-pitched voices of children.

I lost my camp-era book of songs and guitar chords many moons and moves ago. Here’s a list of songs, although its brevity shows that I’ve gotten to that point where I’m forgetting more than I’m remembering. So please add to it in the “comments” section below.

Today (Today while the blossoms still cling to the vine…)
Blowing in the Wind (How many roads….)
Coral Bells (White coral bells upon a slender stalk…)
Circle Game (Yesterday a child came out….)
Dona Dona (On a wagon, bound for market…)
Where Have all the Flowers Gone (…long time passing….)
Leaving on A Jet Plane (Don’t know when I’ll be back again)
Let it Be (When I find myself in times of trouble…)
500 Miles (Lord I’m one, lord I’m two …etc.)
Kum-ba-yah
Day is Done (Tell me why you’re crying, my son)

It’s sad, I think, that there are so few opportunities today where people just get together and sing songs we all know. (Although to be be fair not everyone has the same sentimental attachments: One of my brothers-in-law thinks that the list above is about the most depressing thing he’s ever heard, and he is devoutly hoping that his kids don’t come home with my generation’s repertoire of mournful protest songs, not to mention Dona Dona, which, he points out, is about a dying cow. Chacon son gout.).

But summer nights with guitars and fireflies change things up, make these songs soft and pretty and peaceful. And the very best news: Most of these songs can be played with no more than three or four chords!

I’ll betcha you’ve got some tunes running through your head now, right? Be warned: No promises, but if I can make my mind go in that direction, the next installment is the goofy list: You know: songs like “John Jacob Jingleheimer Schmidt” (however it’s spelled…)  Don’t say I didn’t warn you…

Summer Music Lessons? Yea or Nay?

School is letting out, summer camps are doing their final clean-ups before opening day, beaches are open, grills are fired up… and exhausted parents are collapsing from a year of driving kids to soccer, piano, karate, birthday parties, and the endless list of other activities.

No one, just this minute, wants to think about summer music lessons. Except that pesky music teacher.

Summer vacations are a controversial topic among educators, whether they teach math or music.  Education Week’s Leadertalk blog calls summer vacation “a major obstacle in U.S. education,” pointing out that it “harms low income students as well as other students in other economic groups if they are not engaged during this time period.”

Kids from upper-income families, of course, lose less because their summers are filled with enrichment activities, whether it’s non-academic volunteer work, new skills learned in summer camps, and experiences at art camp, music camp, sports camp, or travel programs. Kids from economically-disadvantaged families remain disadvantaged, rarely having access to the shiny opportunities available to their better-heeled peers. As a result, reading levels drop, math scores plummet, and hard-learned skills, such as how to read notes and count rhythms, erode. September is a month of repetition and frustration. The Green Day song, “Wake Me Up When September Ends” might resonate with kids — but believe me, it resonates with teachers. too.

The erosion is especially true with music lessons, perhaps because the skill of learning an instrument is so multi-dimensional, involving reading, hearing, feeling, moving, repeating given motions, and responding emotionally, intellectually, and physically.  

Summer Breaks Equal Erosion of Skills, Frustration 

From my own studio, I can give the example of a child who was moving along quite well in her first year, then stopped for the summer. The next  year, we had to backtrack and it took her until February to get back to where she had been the previous June. Fortunately, this little girl has a happy disposition, and doesn’t seem to be easily frustrated; a less even-tempered child might have given up at the prospect of, essentially, being “left back” and having to repeat more than half a year’s worth of work.

Of course, kids do all kinds of things during the summer: I admit that I myself never took summer music lessons, being otherwise busy with figure skating camp and sleep-away summer camp. But I did practice. The problem is that most kids can’t sustain a regular practice schedule on their own. They can’t self-correct, they need both guidance and motivation, and they need someone to pull them back on track when they forget how to read notes or rhythms. For most kids, practicing without adult supervision throughout a summer a) isn’t going to happen and b) even if it does, the end result will be having to deal with a tangle of well-practiced mistakes in the fall. The resulting frustration can easily lead to a change of attitude, and maybe even quitting lessons.

My own studio policy is flexible in the summer, but I do strongly encourage at least bi-weekly lessons if kids are in town. Most are, for at least part of the summer, and bi-weekly lessons, with maybe some popular songs and “fun” stuff thrown in,  help kids maintain their skills so that in the fall they can at least pick up where they left off. I find that a summer change of pace is a good idea for many students: One year, we made CDs, which was a rewarding project. Some teachers offer group or ensembles or “summer music camps” to keep things light and fun.

A final point: learning music has many academic benefits, but it is more than a path to better math scores. It is a creative expression and an art form, and it’s supposed to be fun. Indeed, summer should be a time to explore MORE about music, to play with it, kick back and relax, to enjoy it, experiment a little, and to take the time to reinforce and enjoy the skills a student has learned during the year. Unlike schoolwork, what we envision when we teach children music is that it is something they will enjoy and use to express themselves; something that will enrich and augment their lives. Music is about enjoyment and recreation: Why, then, give it up in the summer?